Looks like a doll's house.
It is a bit like a doll's house.
This is loose, so you can get underneath this.
- This is 5'9". - Why?
So the back-line guys can get in and out of there.
Look at those balconies.
It might be nice to get them out there, from... One wide.
You know what I mean, Bob? Hand-held.
Well, that we can do.
I don't know.
I have no idea why the stage is designed in this way.
If there's any really rhyme or reason to it.
- Which part? - All of it.
- You wanted it. - I never asked for those.
That's Marty that wanted all of those.
I thought he wanted those.
So we got them now. I hope he likes them.
I don't know what's going on.
I did a hundred things over there, but nothing that I needed to do.
I still got no answers.
They're all over the place.
That's the set.
What are these?
The camera's arm.
They could come the next week together.
No, the set's gotta be built now.
They're building it.
If worse comes to worst, we change it.
We break it up and we cut it. We saw it in half.
We can glue it to different pieces...
Until they're all in the same place,
we're not gonna ever get a final decision.
Do it again.
My other worry about the cameras was,
Marty, that they whiz around all the time.
That's very annoying to the audience
and to everyone on the stage.
And it's dangerous.
It would be good to have a camera that moves,
that swoops down, and in and out.
And tracks us, you know, along the side somehow.
Is that it?
I think so.
Okey-doke, you guys. Nice to chat.
These are the songs that I've prepared, that he said he really wanted to do.
These are the songs that are really strong possibilities
and these are the ones that they're going to rehearse.
But we got six days to go, and he still hasn't given me an idea
of what the set list was gonna be.
Loving Cup we already did.
Shine A Light, Some Girls, As Tears Go By.
Too Much Blood, he wants to do. She Was Hot.
This is my setlist for Austin and the Beacon.
It's been a bit of work, you know.
First Time I Met the Blues, possibly.
Getting a good mixture, and then things that everyone likes,
and things that are not so well-known,
and things that kind of work for a theater and things that don't.
Try and avoid those.
Factory Girl, he wants to do. I'm Free, he wants to do.
Categorizations and obsessions.
All be done, Marty.
On the night, you know, an hour before the show.
That cleared my sinuses.
After you guys rehearse, I'll do something with Bob.
You start creeping in.
We'll just warm up and get the feel of the room and the setup.
So if you want to have a specific conversation with Marty
about a shot when he says "move" in a particular song,
because he is extremely precise.
Pat should have a wide of the whole place, if he can.
Even with the cranes in it.
Pat Capone, you should be wide of the whole place.
Can we know, if at all possible, what they're gonna play?
And if... It doesn't have to be in order.
If we know, and it would be nice to know...
If Mick stands in front of the light for more than 18 seconds, he'll burn.
- What do you mean "burn"? - He'll burn up. He'll get too hot.
You mean, like flames?
- He might catch on fire. - We can't do that.
We cannot burn Mick Jagger. Very simple.
We want the effect, but we can't burn him.
- What is that for? - We're gonna do some lighting tests.
That's normal movie stuff, is it?
What do you think?
I love movies... Looking at them.
That's the best one.
I've got to show you one other thing.
If you can get a camera in here.
Where is Charlie Watts? Or somebody else has got to kick.
This is my only view.
Nobody else sees this shit except me.
It'll be good here when we get people in here,
when we get the live crowd.
And the set list. I can't wait to see what we finally end up with.
What's the matter, Joe?
We got a lot to do.
Communication, that's what I'm onto now, Bob.
Communication systems.
Give me champagne when I'm thirsty
Give me a reefer when I want to get high
Then we go into...
Whatever the set list is gonna be,
the first two are going to be really strong.
Okay, then the problem with...
I really would like to know what the first song's gonna be.
Because if the first song opens on a guitar riff, a guitar intro,
we have to make sure that we're covered which guitar.
It usually is Keith. We have to know that.
Or if the keyboard begins and then Mick starts singing,
the cameras have to be on Mick. I'm just asking, find out what it is.
- Clinton will be here. - What is it? A benefit concert?
For his foundation?
Thank you.
It's great to see you.
My nephew's coming. He's 10 or 11.
And I've got some friends coming with all their kids.
And they're really excited.
I had all these people in their '60s, calling and begging me for tickets.
So how's the audience gonna be with all these cameras?
Your guys are gonna be in this first balcony.
This is President Kwasniewski. He just left being President of Poland.
This is rock and roll, okay?
Don't be nervous about anything.
So, their guests aren't scheduled to be here until around 6:00 or 6:05.
Whose guests?
The meet and greet guests. Mr. Clinton's.
- We just did it. - You met and greeted the President.
But he's got 30 guests coming.
So we're not gonna do that until 6:05.
Hey, Clinton, I'm bushed.
They said, "I'm waiting for Hillary's mother."
You're so nice to wait for her.
Hi, Mom.
The Rolling Stones have been waiting for you.
Hello. I'm Ronnie. Very pleased to meet you.
Hello. Nice to see you.
Hi, Dorothy.
- And there's Charlie. - Charlie keeps it all going.
- And some inserts of hands and faces. - Right. Yeah, yeah, yeah.
This is one of my birthday presents.
I get to open for The Rolling Stones.
I want to say a special word of thanks
on behalf of Hillary and Chelsea and myself
to The Rolling Stones for doing this.
I actually did open for The Rolling Stones once before.
They did a concert in Los Angeles in 2001
to raise awareness of the threat of climate change.
They know as much about these issues as we do.
They care about them as much as we do.
And that's why they're giving us this wonderful night.
Thank you and God bless you all.
Let's get ready to go. Everyone, get ready to go.
And now, for their second and final appearance
at the Beacon Theatre, please welcome The Rolling Stones!
- Set list. - Okay, first song.
Thank you.
How you doing? Okay?
You've been doing this for how many years?
Two years.
And how much longer do you give yourself doing this,
- going round being a sort of... - I don't know.
I never thought I'd be doing it for two years even.
When we started off, I never thought we'd make it very big anyway.
And now we've been making records for two years
and everybody still calls us quite a new group.
I don't know, quite honestly.
I think we're pretty well set up for at least another year.
Well, if you weren't a music maker, what would you like to be?
- Design. - Design what?
A designer, 'cause I was one.
I'd call myself a designer because I couldn't be a painter.
Because I'm not versed well enough in the language of painting.
I'm not talented enough.
You need talent, surely, and discipline.
No, you need a lot of talent, as well.
What sort of talent?
The talent of knowing.
But knowing comes from discipline.
Not necessarily.
So the talent is to have an imagination?
Yeah.
So do you think you're imaginative with your work?
Yeah.
Maybe it's just an inferiority complex I got.
Maybe I'm great after all.
- Who do you think you are? - Mick Jagger.
You've been on your second tour of the United States for two weeks.
- How was it? - It was very enjoyable. Most enjoyable.
Very successful, too.
Well, that was not true of the first one, was it?
Oh, no. But we only came over here on the first one
so we could get ourselves known, so to speak.
And when we went back, things started happening for us.
Well, why did they start happening?
I don't really know. Some sort of chemical reaction
seemed to happen, somehow.
What would you say happened?
I really don't know quite honestly.
Jack White.
We're gonna do a really old song for you now.
It's one of the first we ever written. In fact, we never did it.
We gave it to someone else 'cause we were slightly,
slightly embarrassed about it the first time we wrote it.
Thank you.
Lovely, isn't it?
Thank you.
Mick Jagger, The Rolling Stones leader, sentenced to jail a month ago, is free.
He has won his appeal against the prison sentence.
And tonight he flew by helicopter to a location 30 miles from London
to appear in World In Action.
Publicity on the case is split between the society
which resents the anarchy of people like The Stones
and that which favors greater individual freedom.
Tonight, World In Action examines the reasons for this split.
With Mick Jagger are
William Rees-Mogg, editor of The Times newspaper,
Father Thomas Corbishley, a leading British Jesuit,
Lord Stow Hill, who has been Home Secretary and Attorney General,
and Dr. John Robinson, Bishop of Woolwich
and author of the controversial reassessment of Christianity,
Honest to God.
Mick Jagger has been silent for three months.
He's read of people saying he's got what's coming to him
and he read The Times asking "Who breaks a butterfly on a wheel?"
I try to keep out of discussions on religion
such as some pop stars try and get into.
Try to set a good example to teenagers by being religious.
We're trying to keep out of that.
Ladies and gentlemen, could I just ask you
to take your pictures as speedily as possible.
I don't think we're being unreasonable.
I don't propagate drug views such as some pop stars do.
This whole sort of thing was pushed upon me.
By whom?
By the mere fact that I've been prosecuted
and also with Keith being prosecuted.
We didn't make a public statement
on religion, on drugs, or anything like that.
Gentlemen, can I interrupt?
If it continues on that sphere, then I'll have to cut...
Rolling Stone guitarist Keith Richards was arrested last night here in Toronto.
Keith Richards, how will this conviction affect you
and your music and The Rolling Stones?
I just want to get on with it, now that it's over.
Do you think it will have any effect, then?
Might get a song out of it.
Yesterday, after you arrived,
somebody wrote that on this visit to Australia,
you're about as controversial as the local vicar.
Does that particular description offend you or please you?
- Who said that? - A journalist in Sydney. In a paper.
That's all right. I don't want to be offensive or controversial.
- Mick Jagger. - Hi.
This is noticeably different from Germany.
We're actually in Denmark, not Sweden.
Though you're Swedish, which is confusing for us.
We'd all like to know what kind of joy
or what kind of thing does it bring you on a personal or professional level?
It was very enjoyable.
- Could I ask you how old you are? - 29.
Twenty-nine yesterday.
- You are the same age as me. - Oh, isn't that wonderful?
How long do you want to do it?
Do what? Be on the road?
Be The Rolling Stones.
"And what would you do, Mr. Jagger?
"Please tell us what you will do if you are not Mick Jagger?"
I say, "Well, I'll be somebody else."
What do you feel just before you jump onstage
- in front of 100,000 people? - I wake up.
Well, I usually say to myself, "You better... do a good show."
That's what I do. That's my last thought. "This better be good."
What is the question, Keith, that you've been asked the more often?
That question you just asked me.
"How long do you think you're gonna carry on singing?"
My God, what's up next?
What are you doing with that strange instrument, Ronnie?
Can you drive that really?
We're gonna do a little bit of country for you now.
This one we do is called Far Away Eyes.
Thank you.
Thanks, crackerheads.
Here's a song that was written...
I don't know if it was written by Muddy Waters,
but I first heard it done by Muddy Waters.